OUR SERVICES
Bespoke Post-Production, Audio Engineering & Tactical Consulting
At CANDLe, every service is delivered with obsessive attention to detail, deep technical research, and a 100% human-crafted guarantee. Explore our specialised offerings below:
Sound Design & Audio Engineering
Custom Game SFX, Cinematic Mixing & Mechanical Acoustic Synthesis
At CANDLe, sound is not just an background layer, it is the primary driver of immersion. We engineer bespoke audio for AAA/indie video games, feature films, and digital media. Whether you need visceral combat Foley or accurate mechanical soundscapes, we deliver audio that makes audiences feel like they are physically there.
"Feeling" the weight of .303, and transferring that weight and emotion to your project.
What We Deliver
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Tactical Weapons & Foley: Custom-recorded and synthesised gunfire, weapon handling, mechanical reloads, bolt manipulation, brass casings falling on varied terrain, and equipment rustle.
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Mechanical & Aviation Audio Synthesis: Engine rumblings, track clatter, turbine whine, and cockpit acoustics. When original recordings of rare or vintage machinery do not exist, we analyse technical specifications, engine manuals, and blueprints to synthesise realistic audio from the ground up.
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Environmental & Spatial Ambience: 3D spatialised soundscapes, dynamic weather effects, room acoustics, and battlefield suppression audio designed to envelop the player or viewer.
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Cinematic Mixing & Re-Engineering: Complete audio post-production for film, replacing or enhancing temporary soundscapes with high-impact, ready for your studio-grade masters.
Our Process
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Constant communication is key, its your project, and we want to get it right first time.
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Acoustic Research & Asset Planning: We analyse your visual assets, project specs, and historical/technical requirements.
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Recording & Technical Synthesis: We capture raw physical audio or engineer complex sound layers using high-end DAW workflows and physical references.
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Implementation & Mixing: Audio assets are balanced, spatialized, and integrated to fit your game engine parameters or film stem requirements.
Maintaining a tidy timeline, easy to read and easy to work with.
Selected Credits in Sound Design
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Hell Let Loose: Weapons, Foley, tank interior acoustics, equipment rustle, and dynamic combat sound design.
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Warbird: Good Time Charlie: Full audio restoration, mechanical engine synthesis, and cinematic sound design.
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Monday Meltdown: Fast-paced, high-impact 90s retro arcade weapon SFX and environmental audio.
100% Human-Crafted Guarantee: We do not use generative AI audio tools. Every sound is recorded, synthesized, and mixed by human audio engineers using physical reference points and deep technical research.